
Charlee Brodsky, The Moon Was as Full as the Night Was Still, inkjet photograph, 24×20.”
About The Art
STATEMENT—My stage is a piece of wood, the top of an old tool chest, 14” wide, 35” long, and just an inch high. It sits on a pedestal close to a window that gets filtered, rarely direct, light. Rocks, pigs, balls, flowers, binder clips, rabbits, an occasional grape tomato, and other miscellaneous things that I collected through the years, recently ordered on Ebay and/or picked up on the street, are my actors. They’re also my friends. They have personalities.
I bond less with the perfectly manufactured binder clips, but the other creatures and objects, and especially the rocks, have individual spirits that I respond to. Many have endeared themselves to me—I love the dog with half a tail; I still feel sorry for the bunny that is missing a leg; and for whatever reason, I talk and coo to the pigs. They are my perfect, imperfect collaborators that I work with to create stories of innocence, joy, affectation, impending doom, hope, as well as of other conditions that I see and partake in. Implicit in this work are my values and some commentary about the world in which I live and the world I would like to inhabit.
I started this series shortly before the COVID pandemic in 2019 and I continue it today. As the world is shaken by wars and natural disasters—interrupted by some glimmering good things, too—I go up to the studio on the third floor of my home, and with my “little friends” try to make sense of it.
BIO—Charlee Brodsky, a fine art/documentary photographer and
emeritus professor of photography at Carnegie Mellon University,
describes her work as dealing with social issues and beauty. A selection
of her awards includes the Tillie Olsen Award with writer Jim Daniels
for their book, Street; an Emmy with the film team that created the
documentary, Stephanie, which is based on her friend’s life with breast
cancer; two Pennsylvania Council on the Arts fellowships; an Honored
Educator award given by the Society for Photographic Education,
Mid-Atlantic Region. Among the books she’s authored are Knowing
Stephanie and I Thought I Could Fly.
Ms. Brodsky’s most recent work, The Audacity of the Mundane, is a series of still lifes and was exhibited at The Westmoreland Museum of American Art in 2021 and in 2024 it was exhibited at The Pittsburgh Botanic Garden, Sunnyhill Unitarian/Universalist Church in Mt. Lebanon, PA, and BE Galleries in the Lawrenceville neighborhood of Pittsburgh. In 2025 the work will be exhibited at the Butler Institute of American Art. You can see more of the Still Life series at charleebrodskyphotography.com. BE Galleries handles her work.
CATEGORIES: Exhibition
DATE: December 22, 2024 - March 2, 2025
LOCATION: Davis Gallery
RECEPTION: January 5th, 2025 1:00pm—3:00pm
Selected Works
It Took a Self-less and Ego-less Collaborative Interspecies Team to Balance the Ball and the Bloom on Their Heads
Charlee Brodsky
Sometimes Words, as in a Title, Add Nothing to an Image, But to its Detriment, Take Away the Delight of Pure Visual Effect
Charlee Brodsky
It Was Not Clear if They Knew Which Way Was Up–Fortunately a Visionary Was Among Them
Charlee Brodsky
As the Sun Rose So Did They, and Everyday They Thought That it Rose for the First Time, and Everyday They Believed It Was Just For Them
Charlee Brodsky























